As executive director of luxury furniture retailer Proof Living, Yung Ong is responsible for introducing some of the top design brands to the local market. He also heads several F&B ventures as part of the Group’s business here. In this Designer Hunter Q&A, he talks about his latest project and the designs that personally inspire him
France's Bonnemazou-Cambus is a door handle range that showcases the best of modern French design, from elegant curves to solid construction
She has been described as a 'fairy godmother', and she says her designers are like family. If so, she's the undisputed matriarch of the clan. We marvel at the inimitable Rossana Orlandi.
Nendo’s latest retail design for Japanese department store Seibu Shibuya is a dynamic space with bold colour combinations and playful forms
Japanese designer Chihiro Tanaka is a self-proclaimed “Light Couturier” who creates delicately crafted lighting inspired by his training in fashion. Having recently been named a Rising Asian Talent by MAISON&OBJET ASIA, Justin Zhuang finds out how he arrived at the bright idea to blend the craft and techniques of two different disciplines.
A museum shop like no other, Gallery & Co., housed in the newly opened National Gallery Singapore and designed by Foreign Policy Design Group, presents a retail and F&B scheme that is refreshing, youthful and contemporary. Luo Jingmei writes
Here’s our pick of thoughtful designs that bring beauty, high functionality and even luxury into bathrooms that are tight on space
With Khayzaran / Fairuz, interior architect and product designer Richard Yasmine seeks to prevent a classic piece of Lebanese design from fading into memory
While great food and excellent company are essential ingredients for a memorable dinner party, beautiful objects such as these can take the experience to a whole new level
The sixth edition of Art Stage Singapore is returning not just as an exhibition of art, but also as an Agora inspired stage for the urbanist, the social scientist, and the cultural thinker to compare notes. Yvonne Xu writes